Or that they did, but felt - as Miranda has revealed in recent times - that studio executives wanted costly, unobtainable pop stars like Jennifer Lopez, because the more local Latino performers Miranda had in mind apparently didn’t “travel internationally.” “In the Heights”īut even that commercial fixation on A-listers at odds with Miranda’s vision doesn’t fully encapsulate why the movie hit so many roadblocks as its budget ballooned from $15 million to $55 million and only director Jon M. Or that Hollywood didn’t see any path to making Latino stories profitable. Maybe it was because the story of overzealous bodega owner Usnavi (originally Miranda onstage, Anthony Ramos in the movie) along with his friends and neighbors didn’t have the kind of flashy “It” factor that turned Miranda’s revisionist “Hamilton” into a global ear worm. Yet even as his name continued to look good on paper, Miranda failed to turn “Heights” into a big-screen phenomena for more than a decade. “In the Heights” launched Miranda’s career straight out of Wesleyan and turned him into a Broadway wunderkind before “Hamilton” cemented his seismic role in popular culture. ‘In the Heights’: How Cinematographer Alice Brooks Captured a Hollywood Musical on Locationīuried in that enthusiasm was some measure of a relief.
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